House of Mirrors

A Siege of Constantinople, Ogier le Danois, 1499, from the Bridgeman Art Library. Yes, Constantinople looked exactly like that.

A Siege of Constantinople, Ogier le Danois, 1499, from the Bridgeman Art Library. Yes, Constantinople looked exactly like that.

When I was in the fourth grade, we studied Alabama history from a textbook that would probably raise a few eyebrows, were it to reappear today.

Written in the middle of the twentieth century, the book presented the topics of race, politics and economics from a viewpoint that would have seemed perfectly familiar eighty years earlier: slavery was bad for the victims, yes, but they were better off than if they’d been left in Africa without underwear or Jesus; the Civil War was a conflict between the Northern industrial worldview and its Southern agricultural counterpart, with the former attempting to impose itself forcibly on the latter; the economic inferiority of the modern South had nothing to do with lack of education or the rampant inequality of wealth, but was rather due to the pernicious interference in Southern affairs by the Northern-dominated federal authorities.

Don’t get me wrong — not every insinuation was necessary without merit: Reconstruction was brutal, war is always political and cultural, and the terrible institution of slavery was originally brought to this country by the very men and women we revere as its founders, in both North and South. The view through the prism of resentment and isolation, however, was undeniably distorted, and the march of time everywhere else in the world had only made the peculiarities more noticeable.

Fast forward to today: I’m reading a history of Byzantium by Sir Charles William Chadwick Oman (published in 1892) that I downloaded to my Nook from Project Gutenberg. Compared to the 1,400 or so pages on the subject by John Julius Norwich that I already own, this book, at about 250 pages, is hardly more than a Cliffs Notes summary, but it’s a pretty interesting read if you’re into this sort of thing.

Apart from the varying scale of the two works, however, another significant difference jumps out very quickly. The three-volume Norwich history was written during the last two decades of the 20th century, while Oman published his contribution at the end of the 19th: whereas the Viscount Norwich makes some effort to provide an overview of the events of the thousand-year history of the Byzantine Empire without offering a moral or cultural interpretation, Sir Charles makes no bones about where his sympathies lie, every step of the way.

“[My] Researches are here set down to preserve the memory of the past by putting on record the astonishing achievements both of our own and of other peoples …”

Herodotus of Halicarnassus

 

“I write these things as they seem true to me; for the stories told by the Greeks are various and in my opinion absurd.”

Hecataeus of Miletus

The nineteenth century English-speaking world was one where geography, religion and morality were inextricably linked. In any conflict between Christians and non-Christians, the Christians wore the white hats. If the fighting was North versus South, the North was industrious and godly, while the South was decadent and demented by the heat. Asia began at Belgrade, and the further east one travelled, the more heathen and inscrutable the people became, and the more likely they were to be Bad Guys.  (The world being round, the furthest extreme of any West-to-East axis of evil was — naturally — Ireland.)

•   When the heretic barbarian Goths overcame the mainstream Christian Romans in Italy and the Balkans, it was only through some terrible lapse on the part of the defenders. The idea that the Goths may have simply been braver, or smarter, or more motivated on the battlefield just isn’t worth entertaining.

•  When the sinister fire-worshipping Persians trampled the God-fearing Byzantines in Antioch and Jerusalem, it was because of the weather, or plague, or treachery, but when the Westerners won, we know it was because they were superior people, from a superior culture.

•  Attila and his swarthy, slant-eyed hordes didn’t overrun Europe virtually unopposed because they were incredibly energetic and utterly fearless, united firmly behind a bold leader, it was because the Empire was tired and just needed to catch its breath. The superiority of the Europeans was a given, regardless of how badly they lost every contest.

All this this racial and religious prejudice seem very obvious to me now, more than a century later, but I have to wonder: does Norwich’s take on the same events seem so much more balanced and impartial because it really is, or does it look that way because he is of a time and place more akin to my own, so that whatever prejudices he brings to the work are my prejudices also, and therefore invisible to me?

I remember an issue of National Geographic from somewhere in the late sixties which featured an article on Iran — our faithful ally Iran, ruled by a fatherly and benevolent Shah, West-leaning, enlightened, a model for the Muslim world. It was all pretty uplifting, and made Tehran sound like a suburb of Philadelphia. In retrospect, we know that the Shah was a dictatorial and unpopular ruler, and that a great many Iranians clearly did not want to live in a suburb of Philadelphia. Films we saw in school about South Africa sang the praises of this Westernized nation, the economic powerhouse of Africa, while somehow failing to convey the fact that the driving energy of the machine was a vast army of non-European slave-laborers, isolated and repressed by a white minority. The picture of Iran and South Africa that we were seeing was wildly distorted, but at the same time deeply plausible: our own underlying prejudices made it easy for us to accept the distortions. We never looked for answers to questions it never occurred to us to ask.

In every era, people have looked at the old histories and marvelled at their ancestors’ skewed view of events. We laugh at the inconsistencies, we are horrified by the misconceptions — yes, we see farther because we stand on the shoulders of giants, but these are fairy-tale giants, hairy and uncouth. From our superior sophistication and insight we see their world as it really was, not the funhouse reflection that they themselves looked out upon.

You can see where this is going.

A hundred years from now, or fifty, or five hundred, how foolish will we look when our descendants read through our textbooks, or our newspapers — or this blog? No matter how dispassionate I believe myself to be, no matter how I strive for a clear-eyed and impartial view of my world, in the end I’m only looking in a mirror. The world I see is the world I am capable of seeing, nothing more. My personal limitations restrict just what I can see, and how far, and how deeply: my own reflection is always going to block part of the view.

That said, what’s to be done? Descartes reduced the universe to “I think, therefore I am”, but that’s hardly a basis on which to vote, choose which brand of milk to buy, or build a personal ethos. We have to make do with the vision we have, however impaired, and do our best to see and think as clearly as our minds and hearts will permit. Maybe the only rule should be “I think, therefore I can try my very best to be honest with myself.” We will fail, because the funhouse mirror will always be an imperfect vehicle for viewing the universe, but the very effort makes us better.

And whenever we slip up and forget, History (with a capital “H”) is there to remind us that the more absolutely right we think we are, the more appalled our great-grandchildren are going to be by just how amazingly wrong we were.

[Many thanks to Wikipedia for the quotes from Herodotus and Hecataeus.]

Come Fly with Me

Icebergs? Bah! We’re not afraid of any silly icebergs!

I know Mr Jung and Mr Freud tell us that we can learn things from our dreams. Well, last night I learned that zeppelin crews on the Rio to Lisbon route steal shoes from the passengers’ staterooms when they get bored. (Brawls have broken out over a pair of Spongebob flip-flops.)

I learned further that if you lose your wallet during the trip you are handed over to my friend Judith Levine for safe keeping — although her response is usually just to throw up her hands, cry “Whatever!”, and sail out in a flurry of crêpe de Chine. The trip takes three days.

It was quite a dream, even for me.

For centuries, people blamed spicy food for exotic or unusual dreams: in 1904, Winsor McCay began a comic strip for the New Evening Telegram called “Dream of the Rarebit Fiend” in which the central characters’ bizarre dreams were caused by a late meal of “welsh rarebit“, a dish of toast with mustard-and-Worcestershire-seasoned cheese sauce. Giants romping through New York City, people experiencing their own funerals… It was a pretty kaleidoscopic experience, generally, and a lot to blame on a couple of pieces of cheese toast.

In 1905, Winsor McCay began the strip for which he is best known, “Little Nemo in Slumberland”, which, while certainly loopy, was a toned down considerably from its predecessor in order to appeal to a more general audience. He is also known for one of the earliest animated shorts, “Gertie the Dinosaur”, from 1914.

Little Nemo, romping through dreamland in his footie PJ’s.

 

My dinner last night centered around roasted brussels sprouts, a baked potato, and tuna steak, so I don’t think I can fall back on the welsh-rarebit defense.

Another highlight from last night’s extravaganza? I learned that my extensive study of Renaissance painting on biblical themes made me the only person on the zeppelin crew who could spell “Massacre of the Innocents” correctly for a sign we needed to create. (In their defence, many of the other crew members spoke primarily Portuguese, so perhaps there was a language issue.) I don’t recall that we were actually planning to massacre any innocents, but I have no memory as to the purpose for which the sign really was intended.

I’ve written about dreams in this blog before (last June, in “Dream a Little Dream“), but this morning I don’t think I’m quite up to a scholarly disquisition. I’m just giving you the particulars, and leaving you to draw your own conclusions.

The control room of this trans-Atlantic behemoth (it was an airborne cruise ship) looked a lot like a laundromat, as all of the zeppelin’s controls were housed in white boxes with knobs and dials, with the occasional large lever alongside — you know the kind, the one that sticks up three or four feet from the floor in spaceships from 1950′s science fiction movies, and never works when you need it to. Once over the ocean, there was little for the crew to do, so we spent much of our time devising ways to amuse ourselves, such as playing shuffleboard in the hallways and mixing up passengers’ laundry.

The “Infinite Monkey Theorem” of 1913-14 states that a monkey hammering away at a keyboard for an infinite length of time will, at some point, purely by accident, manage to place the right letters in the right sequence and recreate “Romeo and Juliet” in its entirety. I sometimes wonder if the human brain works in a similar way — if you tumble enough random bits and pieces around in there for long enough, perhaps it’s inevitable that you will one night produce a dream in which a zeppelin crewmember, while mopping the floor in an outside walkway, will stumble upon a Hello Kitty pocketbook filled with #8 finishing nails.

I should mention that I am prone to somewhat cinematic dreams, and I rather enjoy them. Like stumbling across a box in your mother’s attic, filled with artifacts of your childhood that you had forgotten existed, sometimes wild dreams help to stir up memory, and bring old knowledge into new focus, or throw everyday events into bizarre and unexpected juxtapositions, like the “chance meeting on a dissecting-table of a sewing-machine and an umbrella” of the Comte de Lautréamont, in his Chants de Maldoror.

Did you know that the if no one pays any attention to the large molded-plastic warning signs that hang above the debarkation escalator, the lettering gradually melts back into the surface and fades away? Yep. It happens on the Rio to Lisbon zeppelin. I saw it.

 

The fine art of seeing.

I don’t know what you’re going on about: I see Paul Krugman.

As I do just about every week, I stopped off on the way home from work last Friday to check a couple of books out of the Fayetteville Public Library. I usually read quite a bit, and I try to keep the beast supplied with a plenitude of reasonably nutritious fare — otherwise I start browsing things like the back of my cereal box or the ingredients list on my Twinkies, and there are some things we really weren’t meant to know.

As I was settling in to dinner later that evening I picked up one of the books to enjoy during my meal — I know: a habit frowned upon in all the nicer homes, but an essential part of my digestive process. I fumbled the book briefly as I was sitting down, and a folded rectangle of paper fluttered out onto my chair.

Down one side of the paper was written, in a tiny handwriting like the footprints of bees, a list:

“Luxeuil; wandering Irish bishops & saints; Boniface of Grediton; Fulda; suburbicarian; the great anarchy; Chronicle of St. Gall by Elekchard IV; Lindisfarne.”

Upon opening the piece of paper, I found that it was a receipt of the kind that public libraries often provide these days, generated by their computerized inventory system. Oddly enough, the receipt was not from the library in whose book I found it, but from the University of Arkansas’ Mullin Library. There were three books listed on the receipt:

“Love in the Ruins: the Adventures of a Bad Catholic at a Time Near the End of the World”, by Walker Percy; “Troilus and Criseyde” by Geoffrey Chaucer; “The Making of Europe: an Introduction to the History of European Unity”, by Christopher Dawson.

Of those three books, the only one I’ve read is the first, “Love in the Ruins”,  which I read about a month ago — taking it out of the Fayetteville library during the same week as this mysterious other person was borrowing a copy from the University.

No doubt you’re thinking: “What the hell is the point of all this?”  Guess what? There isn’t one! Yep, you’ve been had.

‘Twas brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.

 

“Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!”

 

– From the Poem “Jabberwocky”, appearing in “Through the Looking Glass, and what Alice found there”, by Lewis Carroll

We are primates, underneath all the literature, and our history has left us blessed — or otherwise — with an amazing capacity to perceive patterns. We can look at a clump of shrubbery and spot the apple — or the snake — by the mere visual deviation of those objects from the general background of twigs and leaves. We see patterns, and we see things that interrupt those patterns. That perception kept our hungry ancestors from starving, and kept them out of the bellies of even hungrier predators.

For us, living in our modern world, these pattern recognition skills are still useful, but we’ve had to learn to analyze and interpret what our instinct picks out for us: we notice that one of the cars in the parking lot is moving relative to the others, so we don’t walk out in front of it; we see the fly in our soup, the typo in our term paper, the misplaced decimal in our income tax return, and we use our intelligence to decide how to interpret those things. At the same time, our animal awareness can cause us to force patterns that are not really there: faces in the clouds, writing on a seashell, the Virgin of Guadalupe on a grilled cheese sandwich. To be really useful all of this has to be filtered through the lifetimes of knowledge and insight that each of us has at his or her disposal, through education, through critical thinking, through personal experience.

There is an underlying logic to my mysterious list (“suburbicarian”? “the great anarchy”?) but I don’t know what it is. With a little study, I might come up with some reasonable guesses — I might be able to perceive a pattern — but I might just as likely end up trying to impose my own prejudices. Maybe it was a dyslexic’s grocery list. Maybe it was a secret communique from the Latverian Embassy to Doctor Doom’s covert agents in Northwest Arkansas.

And that, of course, it what art and poetry and almost any other human creative endeavor is all about. Read Lewis Carroll’s poem “Jabberwocky” and you’ll find yourself attaching images to the “borogoves” and the “slithy toves” even before Alice prevails upon Humpty Dumpty to explain what they are. Certainly every fortune teller since the days of Noah has understood that most human beings will create a narrative from the skimpiest fragments: A tall, dark stranger? What are the chances of running into one of those, purely by accident? Money changing hands? Rent’s due on Tuesday! How did she know?

‘It seems very pretty,’ she said when she had finished it, ‘but it’s rather hard to understand!’ (You see she didn’t like to confess, even to herself, that she couldn’t make it out at all.) ‘Somehow it seems to fill my head with ideas—only I don’t exactly know what they are!’

- from Through the Looking Glass, and What Alice Found There, by Lewis Carroll

I love patterns that emerge from chaos, like a painting — which is, after all, nothing but dabs of paint on a flat surface — coalescing to show me a princess, or a steak dinner, or a racehorse, each with its own story, its own message, its own meanings to impart.  At the same time, I recognize that perceived patterns aren’t always real patterns, or that there may be legitimate patterns in a body of information, but not those that are immediately apparent. Economic statistics, election-year polling, charts and graphs of all kinds, they are all clouds or trees or oil-on-water rainbows. They can mean something, or nothing, or many things at once, depending on how you parse it out. As with a Monet painting of a haystack at at dawn or a parable from the Book of Matthew, we have to use both our instincts and our intellect to read the message.

I believe in the human role in global climate change; not because someone told me to, but because there is a vast body of data available today in which I can see certain patterns, informed by what I know personally and by the insights of people whose experience and expertise I trust. Other people may look at that same data and see cow farts, or volcanoes, or Elvis, or nothing at all. Within a generation or so, we’ll probably know whose interpretation was correct. On the other hand, I don’t think the alignment of the Great Pyramid of Gizeh and the wording of the Declaration of Independence are related through a common link to visiting aliens from Canopus.

But I could be wrong about climate change, and the Declaration could contain hidden instructions for how to build a warp drive, written in Canopian karbooble ink. We shall see.

We all observe — or very assiduously ignore — the stirring in the bushes, that’s part of our evolutionary birthright: what makes us human is our ability to think about it, to reason and analyze and decide for ourselves whether what’s in front of us is the apple or the snake.

On the Surface.

A lot of my photography tends to get pretty close to things: flowers, bugs, all the little odds and ends that show up in a place like this. This morning I decided to take the process a step further, and I looked for those images that nature provides that aren’t quite so obvious from a human eye level. Rocks, tree bark, moss, fur: these are all things that take on a whole new meaning when you get down on your hand and knees and really look… Continue reading

Dream a Little Dream.

Last night I dreamt that my family was being studied by a world-famous psychiatrist (the doctor’s first name was Hannah, but that’s all I remember of her identity) and dozens of my relatives had been gathered together for the purpose, almost none of whom I recognized. Even my father — who died some years ago — showed up in a cheap brown suit and took a stroll through the crowd and then wandered back out the way he came, without saying a word to anyone. Continue reading

Turning the Page.

For the last four years, I have eked out a living as a freelance graphic designer, mainly specializing in web design for small businesses and for individuals. I enjoy the work, and I like the customers. When a new project comes in it’s a chance to show off what I’ve learned since the last one: I’m excited, interested, motivated. Continue reading

“There was an old lady…”

When I was a child in Montgomery, Alabama, during the very early sixties, I can remember certain areas around town that spent much of the year buried under a green and hairy shroud that covered telephone poles, buildings, billboards, trees, parked cars, slow-moving pedestrians: the dreaded kudzu. Continue reading

Through the Eyes of a Child.

Today I’m doing something a little different, in recognition of Memorial Day: I’m inviting a guest to speak to my readers. My mother was a child living at Hickam Field on the Hawaiian island of Oahu when it was bombed by Japanese planes on December 7, 1941. Needless to say, she remembers the occasion well, and has offered to write about it here. I’ve added a few sidebar notes for historical context, and edited very slightly for length, but otherwise, these are her own words. Enjoy! Continue reading

In the Eye of the Beholder.

I’ve recently been browsing through various online resources for artists — how-to’s, advice about materials, online portfolios, etc. — and I’ve noticed something that disturbs me: When did “Learn How to Draw” come to mean “Learn How to Draw Natalie Portman in Star Wars Makeup”? Continue reading